Lara: Hi Sara, Welcome to spring summer 2016! How’s it
going for you so far− the heat?
Sara:
The heat.. it’s been warm in New York. It’s also the end of the season.
In July we leave for Portugal and have a
series of concerts there. André and I are playing duo every week in
different
towns... small towns, and in Lisbon at the Hot Club for 3 nights with
Devin Gray, a drummer from New York. We will be exploring new and old
material− songs
from [the 2014 album] “Primavera” and our new album, “All the Dreams”.
It’s
going to be a good opportunity to start working the duo because in the
past we’ve
always had a band playing with us, not really embracing the duo format.
Lara: Easier to travel that way, more
compact! Will you be performing with Greg Osby?
Sara: No but we will see him in Poland in
October. Greg is curating a festival there, the
Sopot Jazz Festival. Some other people from Inner Circle Music will be there- Emilie Weibel, João Barradas, I think Logan Richardson among others. It’s going to be exciting.
Sopot Jazz Festival. Some other people from Inner Circle Music will be there- Emilie Weibel, João Barradas, I think Logan Richardson among others. It’s going to be exciting.
Lara: Looks like you’ve been up to a lot of
variety in 2016! You had your debut with the Albany Symphony Orchestra. Let’s
hear about that!
Sara: I did- I was invited to sing a piece
by Derek Bermel “Mar de Setembro" set to poems by Portuguese poet Eugenio de Andrade. It was written for Luciana Souza, but for some reason she couldn’t make this gig, so I was very
glad to do it. It was very different—
Lara: Very different than jazz! The
formality...
Sara: Yes, and just to accept that you are
the soloist, and everyone will follow you... At first I was trying to be a
musician, to know what every part was doing.. and then I finally accepted: I’m the soloist. I should embrace my role
as the soloist.
Lara: With respect to your new project City
Fragments, how long has it been in the works? What is the goal of the
ensemble?
Sara:
Initially I created it in Portugal, in 2013. Singing with other singers
has always been
one of my biggest aspirations. Basically, I invited some singers and
experimented, it was
very ambitious, 8 singers and a band. I learned about the challenges of
working with such large ensemble.... I decided to recreate the group
in New York and now I have just 3 singers- me, Sofia Rei and Aubrey
Johnson, voice,
André Matos, guitar, Erik Friedlander, cello and Tyshawn Sorey, drums.
It’s
still a work in progress.
Lara: What are the latest developments between you and your duo with iconic pianist/composer Ran
Blake?
Sara: We released “Kitano Noir” in 2015 and
we will start rehearsing in September and then have a few more gigs in
December. At some point you realize that it’s really difficult to have so many projects at the same time where you are
the leader...Ran has been really busy with his teaching at the New England
Conservatory and is performing a lot, so we just perform once/ twice a year.
Lara: How do you keep everything together on
top of being the mother of a 2 year old?
Sara: You become much more efficient with the
time that you have..
Lara: I do find that things often run
smoother when you work with musicians that you know. It seems like you work
with a lot of the same people. I’ve certainly met a lot of musicians on stage!
Sara: Yes, I think that it’s really important
to build your musical family. For now, I’ve been lucky to keep things
steady, to keep developing all of these projects over the years.
Lara: What's on the horizon with your quintet?
Sara: André and I decided to work on this duo
and make it happen, so we wrote a specific repertoire and made it a priority. Besides this, I sing Ran Blake, City
Fragments and I also sing with Mycale, John Zorn’s quartet... so these are the
things that have been keeping me busy.
Sara: “All the Dreams” is a continuation of “Primavera”. Andre and I have found a way that works for us, to create music and develop it together. After that first step of “Primavera” we kept working/ writing. This time there are more lyrics− there is more Portuguese. We embraced our language and also invited just two guests, Pete Rende and Billy Mintz. There are songs that are older and songs that are really new which we haven’t performed live. Things always take a different shape when you perform them in concert and start experimenting. We rehearse at home, but it’s different. There are songs that we recorded in the studio, then rearranged them and recorded a new version ..At some point we had a completely different song, using the studio also as a tool for creation.
Lara: What is the theme of the album?
Sara: A line from a poem by the Portuguese
poet Fernando Pessoa “I have inside me all of the Dreams of the world”, that became “All the Dreams".
Lara: Do you have set repertoire for all of
your projects? Or is there much variety between performances?
Sara: You can say that. And then there’s a
gig or a tour with new music. You work as much as possible. There’s something
about New York.. you are always working on something...
